Monday, 18 March 2024

How To Add Drama To Boring Medical Diagnoses...

The old-fashioned British term "rude health" has always amused me. Apparently, to be in rude health is to be fit, strong and very well. A person in rude health might be able to undertake a vigorous run, a challenging bicycle ride or a swim across the English Channel. My own favourite image of rude health is somebody with the gas capacity of Jupiter, trumpetting triumphantly down the High Street, keeping those not in rude health at a safe distance.

Then, there were also those who might "enjoy poor or ill health". My paternal grandmother could have been described as this. She wheezed like a freight train her entire life, possibly due to rheumatic fever as a child. She was an employed and successful unmarried woman, rising to be manager of a small office. Engaged to my grandfather, they had to wait to build their own home before they married. 

Once they'd tied the knot, she produced three strapping boys in six years, and promptly turned into a not terribly bright dithery matron. She enjoyed the card game Solo - a form of Whilst - and procrastinating what to order when the grocer was actually at her back door. She had household help and of course, never worked again. She also lived to an exceedingly ripe old age. And I seem to remember she had a chaise lounge at close hand in case of a sudden fit of the vapours.

Unlike my grandmother, I am most irritated at developing a few chronic health conditions in my early sixties. All of us who have reached a certain vintage would agree that ageing is not always beer and skittles. In fact, becoming older sometimes totally sucks. 

In spite of my recent and rather startling medical results, I am determined to stay as well as possible so I can continue to enjoy life, the universe and everything. Hence, I am now a very good buddy of our GPs, respiratory specialist and skin specialist. In fact, I believe that Scott, our respiratory specialist should provide a repeat offenders discount as now Alex, Michael and me all see him...

What really irks me is the totally banal titles for my conditions. Take "small airways disease" for example. This phrase does not even come close to describing the extent of this nasty little bastard inhabiting the itty-bitty inner tubes of my lungs.  I think a re-name to "Enormously Irritating and Disruptive Pesky Lung Schemozzle". Quite catchy I think...

Then, there is my "Stiff Left Heart Syndrome", which is a much more obscure and perhaps tasteful definition of left heart failure. Basically, my left ventricle doesn't relax well and thus inadequately fills with blood, and then inadequately pumps out that blood to my body. Obviously, a more appropriate explanatory title should be "Buggered Left Heart In Need Of A Long Holiday With Plentiful Cocktails".

"Pulmonary Hypertension" describes high pressure within the arteries that travel from my heart to my lungs. This pressure impedes the blood flow to my lungs, increasing my most annoying breathlessness at inopportune moments. Given that this is a bit of a battle to get through, I suggest to change the name to "Up Shit Creek Without A Paddle In Rather Unhelpful Tunnels". 

"Mild Regurgitation of the Mitral and Tricuspid Valves" really sounds rather revolting. The valves just don't open and close as well as they should, resulting in blood getting really confused about which way to go. Given that this is a problem with opening and closing swinging door-like structures, a far better descriptive phrase would be "Just Try And Close The Bloody Doors! You Weren't Born In A Tent!" 

"Atrial Septal Defect" used to be known as a "Hole in the Heart", which was both terrifying and incorrect. An ASD is actually just the case of a foetal communication called the Foramen Ovale not closing after birth between the two atria as it should. My ASD is apparently quite small but has never closed and was not picked up until a couple of months ago. Apparently, I shouldn't have any problems with its presence in my heart...Yeah, right. In light of its potential influence with all my other hick-ups in that general vicinity, I will now refer to my ASD as "Another Stunning (Albeit Small) Disaster".  

That just about covers reclassification of all my ailments. Just one further whinge then I will be on my way...

I am somewhat cranky at my inability to rid myself of a persistently disagreeable chest infection. Last Friday, I was prescribed two Atom Bomb antibiotics and an oral steroid. I was familiar with one of the antibiotics only. The other one promptly gave me a unprecedented case of the shits which has only subsided today as I ceased taking this explosive pill. These effects were entirely unexpected and I shall be having severe words with my quack when I see him next. Having an infection is one thing. Sharting is not acceptable, especially if ill-prepared for this horrendous consequence to a drug.

In summary, I am not currently in rude health, but I have no intention of enjoying ill health. I am focusing on being at fit and healthy as possible for our Great Northern Exposure this winter, so I can walk and fossick and commune with my beloved Michael, Stella and Lexi and the stunning Western Australian landscapes.

 
Most helpful...
 

 
Brilliant!

 
My interpretation of enjoying rude health...

Immediately lie down when having a fit of the vapours...

 
I didn't know dinosaurs could talk...

 
This ute is buggered...

 
Looking forward to plenty of these - to relax my heart of course!

 
In the beginning...

 
Exactly...

 
Now that's "Another Stunning Disaster"...

 
You bet I did...

 
How unfortunate for the poor lad...

A vital addition to the first aid kit in times of emergency...

 
Most succinct in this situation...
 

However, I shall prevail! And enjoy time away with Stella and Lexi 

 
And my best friend and soul mate, my darling Michael - somewhere in the North-West of Western Australia.






Monday, 11 March 2024

Marching (Through March 2024) More Formally @ the East End Gallery

Autumn has gently arrived at the East End Gallery after a relentless summer. About bloody time! The temperatures have dropped at night, allowing sleep without the need of our bedroom air-conditioner. Hurray for fresh air. Visiting our oval has now resumed in the evening, allowing Stella and Lexi to charge around with their doggy mates. More play means less naughtiness by Miss Lexi during the night. Our garden has ceased to gasp for moisture and our watering duties have become pleasurable rather than a daily fight for survival. 

All in all, life at Station House in Heavenly Beverley has become very pleasant indeed once more.

We can hardly believe that we have been opening the doors of the East End Gallery and Giftshop for over nine years. We have loved the casual and easy-going nature of our Gallery, focusing on the creation of a wonderful artists precinct and an amazing community of supporters. We have prided ourselves on our limited paperwork and mutually agreed verbal understandings. Alas, the East End Gallery can't remain this way any longer. 

An accidentally damaged artpiece and an unhappy artist were the catalyst for these changes. In addition, I couldn't find the artist's phone and email contacts and sent a message through LinkedIn to explain the circumstances. The artist's reaction, contacting me again after ten months of silence, was to berate me. 

Given the stresses of 2023 and my health issues spilling over into 2024, our reaction has been to formalise arrangements with all our artists. Many thanks must go to Thelma Cluning, Sally Watts and Lorraine Pichugin for taking the time to edit this document and provide extremely helpful suggestions.

I believe we have produced a clear and concise statement that will benefit both our artists and the East End Gallery and Giftshop. 

Please read the the Artist Contract and Agreement conditions that I am adding to this post, if you are represented by the East End Gallery . I would appreciate all our artists contacting us through email, so I can send the full document for signatures. And answer any questions.

In the meantime,Michael and I are thrilled with the latest overhaul of the Gallery and Giftshop. This has been a labour of love, taking weeks to complete over our break during January. As a result of all our hard work, our Gallery and Giftshop space is looking sharp and interesting and beautiful and intriguing. Michael also rediscovered his mojo over the summer, returned to his creative zone and produced new and astonishing sculptures. To watch him work is utterly mesmerising.

Amongst all of Michael's story telling through sculpture, we continue to welcome new artists into our space; we are just in awe of the outstanding talent that has found their way into the East End Gallery.

We are gearing up for our first Sundowner of 2024 on Saturday 30 March (Easter Saturday). If you are attending for the first time or need reminding here are the details -

  • The Gallery and Giftshop are open as per usual from 11am. 
  • Our World-Famous Sausage Sizzle will commence from 5.30pm. FREE of charge. Any donations will go the restoration of St Mary's Anglican Church in Beverley.
  • LIVE music will begin as the sun sets. We do not pay our fantastic musicians so they do not have a set time for beginning or ending. Think of this as a jam session playing good music with no head-banging stuff. FREE of charge.
  • Anybody with a voice or an instrument may turn up and join in.
  • Please bring a bottle and a plate of finger food to share.
  • This is an opportunity to meet like-minded people, enjoy great music and conversation and view the East End Gallery and Giftshop at a leisurely pace.
  • All are welcome.

Along with all the other artistic studios and the Station Gallery here in Heavenly Beverley, we will be open all Easter. Here are a few other tantalising events on offer in our wonderful town throughout the Easter long weekend -

  • For a taste of Wimbledon, do not miss the 90th annual tennis tournament at the Beverley Lawn Tennis Club. Four days of round robin matches 29 March - 1 April.
  • The Easter Art Prize and 55th Annual Exhibition at the Beverley Town Hall. The preview is on Thursday 28 March from 10am - 4pm (no sales). The official opening is Thursday 28 March between 7pm and 9pm. Entry is $10 per person or $5 per child. The exhibition continues until Easter Monday 1 April, closing at 2pm. Entry for these days is $2 per adult, $1 per child or $5 for a family.
  • Beverley Community Markets will be at the Station precinct on Saturday 30 March. The Artist-in-Residence at the Station will be Kirsten Sivyer.
  • Take a stroll along Vincent Street and check out all the plaques dedicated to Beverley's past.
  • Visit the Beverley Community Garden and pick up a basket of goodies for a low cost on Easter Saturday.
  • Don't forget the Op Shop opening both Easter Thursday and Easter Saturday.
  • The Dead Finish Museum will open on Easter Sunday. Always worth a visit with an eye-opening view of Beverley's early days.
  • The Beverley Visitors' Centre and the East End Gallery will share tourism information duties all Easter. For any queries, do pop into either (or both) of these venues.

So, what are you waiting for? Turn your vehicle towards the hills at Easter and head for Heavenly Beverley. Explore all our attractions and enjoy the ambiance. I can guarantee you will want to return.

See you soon!

 
Michael with "Unhinged" in his Workshop/Studio...

 
Anyone fancy totem poles in their garden...or maybe an emu named Edwina...

 
Giftshop peek through a cube...

 
New cube for Beverley information and books for sale
Prints by John Ives and Kenneth Irwin
Broome scenes  by Catherine Higgins...

 
A GoT mosaic table, perhaps?

 
A pocket of the Gallery featuring -
Belinda Kay
Ingrid Holm
Lorraine Pichugin 
Sculptures by Michael Sofoulis

 
Irene Perry...

 
The story of windmills - Michael Sofoulis...

 
The vibrancy of Irene Perry...

 
"Beverley Farm Track" - Claudia Woeltjes...


 
Carl Sexton - "Shelter"

 
"Rega Express" - Neil Elliott...

 
"Dancing Leaves" - Val Burns...

 
"After the Games" - extraordinary watercolour by Dave Conlin

 
Front Gallery window...

 
Silk, felt and paintings in the Giftshop...

 
Giftshop goodies...

 
"When the Snake bit the Sun" - Carl Sexton...

 
Ian Kay's quirky corner
"Cosmos" - David Giles
"Wendy Robertson - sculptor" - Kath Moore...

 
"Bungling Along" - Ross T Calnan...

 
"Hawkish Blur" - Ross T Calnan
"Compass" - Michael Sofoulis...

 
Lorraine Pichugin clowning with "Unhinged"!

 
Crafty Nanna, David Lillico and Kira Thompson...

 
Kira Thompson - eco-dyed printing on hand-made paper...

 
COMING SOON - 

 
 



 


 
Discover your inner child at Moort Wabiny Park

 
Pick up a bargain at our Op Shop...

 
Located at the western end of the Town Hall...



  
 
 




Meanwhile, in the Visitors' Centre...

 
Or at all our attractions, including our beloved East End Gallery.


If you are one of the East End Gallery's artists, please read the following terms and conditions and respond via email, so I may send you the full PDF document to sign.

* I, the undersigned, agree and understand that:

* I am responsible for delivering my artwork(s) to the East End Gallery. I will provide either a full retail price or instruct the East End Gallery of my expected return, and the Gallery will add their commission.

* All items must be ready to hang or display with appropriate hardware. Artworks that do not comply with this criteria will not be accepted by the East End Gallery.

* All art pieces presented for sale at the East End Gallery and Giftshop are on consignment. Upon a sale, the artist will receive 70% of the retail price. The remaining 30% is the Gallery’s commission.

* The artwork(s) will remain at the East End Gallery and Giftshop for an initial placement of twelve (12) months. Further periods of six (6) months will be agreed by mutual consent between the artist and the Gallery. Artists are required to “touch base” with the Gallery at least every six (6) months

* Any work left at the East End Gallery for more than two (2) years, with no contact between the artist and the Gallery, will be considered abandoned by the artist and become the property of the Gallery, to be disposed of as the Gallery sees fit.

* The artist is responsible for the collection of their pieces at the end of their contract.

* Each art piece presented to the East End Gallery is photographed and added to the Catalogue. The Gallery will endeavour to protect and care for the artworks, but the Gallery does not insure individual pieces. Insurance (for their art) for any circumstances that incur damage is the responsibility of the artists.

* Placement of the art pieces is solely the decision of the East End Gallery.

* Each East End Gallery artist will provide a short biography of their art journey, their photograph (up to 2 MB in size and JPEG), along with their bank account details by email to thewifofsif@gmail.com

* Sales – Artists’ payments will transferred to their nominated accounts. If these details change, the artists are responsible for notifying the East End Gallery. Artists who prefer to be paid with cash must contact the East End Gallery on a fortnightly basis. Any cash money uncollected at the end of each calendar year will be forfeited to the Gallery for maintenance purposes.

* The artist gives the East End Gallery and Giftshop permission to use images of their artwork(s) for any promotional purposes including on social media pages, in newspapers, magazines and on digital or electronic platforms. The Gallery acknowledges that copyright remains with the artist.

* The East End Gallery believes attendance by artists at promotional events is mutually advantageous, in order to raise both the artists’ and the East End Gallery’s profiles. Notification of special events will be sent electronically by personal invitation or through the Gallery’s Newsletter.


Monday, 4 March 2024

That Ultimate Quest - The Elusive Search For A Comfortable Bra...

 Bra...brassiere...intimate apparel...underclothing...over the shoulder boulder holder...

Whichever term women use for that supposedly supportive garment may also be prefaced by an expletive. There are literally squillions of bras on the market, yet I suggest that actually finding a comfortable one is comparable to the Holy Grail.

And finding more than one bra if you happen to hit the jackpot. Good luck.

I used to visit Myers to get measured by one of the ladies in the underwear department. Once in a blue moon, I would be rewarded by being fitted with a bra that did the job. In a moment of intense excitement, I would then want to purchase four of that particular brand. This act was always deemed impossible. The excuses that were given ranged from only having one bra in that size or that the bra was being discontinued and no more were available.

Over recent years, I have survived on hand-me-downs, crop tops and cheap options from the chain stores. Universally, these were unsatisfactory, provided little support and most became uncomfortable throughout the day.

A couple of months ago, I began researching bras online. I had previously resisted going down this road as I believed measuring myself at home would be too difficult and unreliable. Taking a deep breath, I plunged into the World Wide Web, hoping for a miracle.

One of the problems facing women is that we don't tend to fall into standardised sizes. Take me, for example. I am currently quite round, but my bust size remains stubbornly a B cup. Which means I need a bra with a wide back. Plus I have narrow shoulders, so thin straps just fall off. Continually. Throw in my desire for cotton cups as I am prone to eczema. And front closure to remove those comical physical antics of attempting to secure a bra at the back. At home, I have taken to going bra-less, which is less than ideal for my saggy 62 year old boobs.

Then, almost by chance, I discovered "Exquisite Form". Back support, wide straps, cotton cups and front closure. Available in a B cup. Ye Gods. I took courage in hand and ordered four bras, carefully reading the returns policy. I even discovered a site that offered free delivery across Australia. 

My "Exquisite Form" bras arrived last Thursday. I washed them carefully and waited for them to air-dry. Unfortunately, due to unseasonably humid conditions, my brand spanking new bras took over a day to dry. Last week, they would have been crispy within two hours.

My first bra was still slightly damp when I tried it on yesterday. The fit was snug, the straps fabulously immovable and the cup size correct. I could not believe my luck. 

Perfection? The jury was still out last night. I had worn my "Exquisite Form" for ten hours. I removed it with some relief about seven o'clock last night. Most of the discomfort was caused by the intense humidity, leaving a rather distinct line under my bust.

This morning, I persevered until the fit was fabulous. I had pulled the bottom of the bra too low, resulting in rolling. I readjusted until the bra was sitting snugly under my bust. I could have jumped for joy. My "Exquisite Form" is is, unbelievably, perfection!

Stay tuned.

 
No wonder women have no much trouble finding a well-fitting bra...

 
I think all women learn how to perform this talent!
 
  
 
Raspberries to the world of bras...

 
The frustration...

 
The bloody discomfort...

 
What is so hard about producing a comfortable bra?!

 
God, I know what she's thinking...

Just no...

 
After 48 years of wearing bras (excluding maternity bras), a miracle has come my way...


I am besotted with my "Exquisite Form" bras and I learnt how to take my bust measurements accurately!